My work has always focused on the creative exploration of places and on how myths, legends and oral histories permeate the space around us and possibly shape the way we interact with it. These ideas are at the base of most of my installations, performances and multimedia artworks, from Raining Buddhas (2009) to Until the End of an Everlasting Day (my practice-based PhD outcome in 2012), from Edges (2011) to This is the Way the World Ends (2015). I believe that how we perceive and contemplate the land affects the way we treat it, and ultimately impacts on how we live within it. Reconnecting with ancient myths, legends, beliefs and local traditions concerning specific spaces and places around us would help us stop, reflect on and listen to our environment and develop a deeper awareness of it, and consequently a more thorough interconnection with it. I also believe that, in order to give strength to my visual/creative reflection on the environment and to integrate environm